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Showing posts with label china. Show all posts
Showing posts with label china. Show all posts

Thursday, January 1, 2009

Heart of the Grand Canal


Yangzhou’s history is inextricably linked to the Grand Canal and to the salt trade which made it one of China’s richest and most cosmopolitan cities for over a millennium. THERE are places that, for some reason, you immediately take a liking to the moment you set eyes on them. That was how I felt when I arrived in Yangzhou.

It is not easy to say what exactly makes a place appealing, especially one that you know very little about. With Yangzhou, it was perhaps the verdant environment, or the seemingly slower pace, or maybe it was simply the romance of the “Jinghang” Grand Canal which passes through the city.

Perched on the northern bank of the Yangtze River at its confluence with the Grand Canal some 250km northwest of Shanghai, Yangzhou was a very important and prosperous city through much of its 2,500-year-old existence, right up till the turbulent mid-19th century.
As a key transportation hub for grain, silk and salt (it was the seat of the salt monopoly in the Qing dynasty), it was a magnet for merchants from all over the Chinese sphere and beyond.

Arab and Persian traders arrived there as far back as the early Tang dynasty, while some sources suggest Marco Polo served there as a municipal official in the 13th century.

Yangzhou has the distinction of possessing one of the oldest datable sections of the Grand Canal, going back 2,500 years to 486BC. A thousand years later, Emperor Yangdi of the Sui dynasty linked up the waterways between Beijing and Hangzhou (hence the name “Jinghang”) to create the canal that at its current 1,800km, remains the longest in the world.

Sui Yangdi evidently sailed down the Jinghang to visit Yangzhou three times. Some tales recount he had weeping willows planted on the water’s edge to shield the fair skin of the women who lined the banks and that besides inspecting the southern reaches of his realm, he was also there to inspect the lovely ladies.

Of course, our guide did not fail to mention that Yangzhou girls are renowned for their beauty but with a twinkle in his eyes, was quick to add (as did our Suzhou guide) that the “best ones” have married people in Hong Kong, Taiwan and Singapore.

With these colourful stories swirling through my mind, I was a little disheartened to find the reality of Yangzhou’s Grand Canal somewhat more prosaic. We arrived at a grassy park and walked towards the water’s edge.

There the Canal stretched before us, much wider than I had expected, its placid surface mirror-like. There were few of the legendary willows, just stretches of immaculate lawn with shrubbery. In all fairness, our guide said the Canal is still being prepared for World Heritage application and its restoration not yet complete.

Unsurprisingly, the homes of the former salt merchants are located in the vicinity of the Canal. “There were initially about 100 of these mansions,” recounted our guide as he pointed several out to us, “but most were destroyed in the Cultural Revolution.”

According to him, some 20 of the residences are slated for restoration.

One restored villa, the Qing dynasty Geyuan, though not built by a salt merchant, was bought by one in the early 19th century.

It seems the wealthy trader, surnamed Huang, paid six million taels of silver for the property. Merchant Huang was not only rich, but well-educated and held in high esteem the bamboo which symbolises modesty, dignity and moral rectitude. Small wonder then that he named his villa Ge, for the character “ge” resembles two bamboo leaves joined at the stem.

Thickets of different bamboo varieties greeted us as we stepped into the enormous, yet refreshingly quiet and serene garden. They lined the meandering trails that brought us past a meticulously landscaped gazebo where several girls dressed in hanfu (traditional Chinese costume) were chatting beside a flower bed.

An unassuming side path led to a picturesque pond with a stone bridge. With tall weeping willows and a delicate red maple among the evergreen shrubs framing the water’s edge, the sight was stunning in the setting autumn sun.

The architecture of Geyuan appears more formal and weighty than that of the intimate villas of Suzhou. Strangely enough, some aspects seem vaguely reminiscent of the mansions of the Jin merchants of Shanxi – the high brick walls flanking long straight walkways that lead off into one small courtyard after another reminded me of the Qiaojia dayuan (Qiao family mansion).

Given Yangzhou’s location at the interchange between north and south, this is perhaps not so surprising.

Geyuan’s back garden contains one of the most elaborate rockeries I have seen with boulders of differing colours in four sections, each representing a different season.

I sat down on a stone bench amidst the rocks, trees and shrubs and took in the pavilions and water features; it just seemed a perfect way to end a leisurely afternoon in that very pleasant city.

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Wednesday, December 17, 2008

Weaves its spell in China


Suzhou is one of China’s leading cultural cities, reputedly producing the most scholars and silk. ONE of the questions I am most frequently asked by friends and readers of this column is, “What is the best place to visit in China?” There is, of course, no “best” or “favourite”, as every destination has its own merits. However, there are places I never tire of re-visiting, chief amongst them the Jiangnan region on the lower reaches of the Yangtze River (Changjiang).

For centuries, this land of “soft streams and warm mountains” (to borrow a phrase from Feng Xiaogang’s movie The Banquet) – with its lakes, canals, gardens and pavilions – defined the image of the Middle Kingdom. This was and still is the heartland of tea and silk; of scholars, calligraphers and literary pursuits; of folksongs and opera and sophisticated aesthetic sensibilities.

In ancient times, Jiangnan was also famed for pretty women. The fragile, tragic heroine Lin Daiyu from the 18th century classic Dream of the Red Chamber, for example, hailed from Suzhou where women were renowned for delicate looks, gentle demeanour and soft speech.

Unfortunately, when we asked to meet some contemporary Suzhou beauties, our guide said, tongue-in-cheek: “They have all been married off to overseas Chinese from places like Taiwan, Singapore and beyond.”

Perhaps it was their diet of freshwater fish, or because they lived in a centre of sericulture, but Suzhou ladies of old certainly had good skin. My maternal great-great-grandmother was a Suzhou native who lived to a very ripe old age. Her porcelain skin, my mother recalled, remained wrinkle-free till the end.

It is often said silk pillows and silk quilts are key to good skin (and a good night’s sleep). Cool in summer, warm in winter, light and soft, these “cloud blankets” (yunbei) were formerly the preserve of the imperial family. Nowadays, silk quilts are accessible to all and can even be found in some tourist hotel rooms.

Silk production was a state secret in ancient times. Today, the Suzhou #1 Silk Mill conducts tours where the entire production process, from worm cultivation to the assembly lines where filaments from snowy cocoons are reeled, is open to inspection.

Suzhou’s silkworms reputedly yield the longest strands, up to 1,750m, compared with just 800m from Sichuan’s cocoons and a mere 200m for those from Guangdong.

Twin cocoons are bred for quilts and handstretched on a series of inverted U-shaped bamboo frames of increasing size, until finally the fibres are pulled into quilt-sized rectangles. The process is repeated many times, layer upon layer. I was told on a previous visit that a quilt comprises anywhere from 7,000 to 10,000 cocoons depending on the weight (summer or winter) and size.

Suzhou is famous for its garden villas with their rockeries, lotus ponds and winding reflexology paths. Nine of these residential havens of retired scholars and officials, mainly of the Ming and Qing dynasties, are on Unesco’s World Heritage list.

So admired are these gardens that a part of the Zhongwangfu, formerly abode of Suzhou’s highest official, was modelled on one of the nine Unesco-listed estates, Zhuozhengyuan (Humble Administrator’s Garden).

Constructed on a 10,650 square metre-site in the 1860’s, Zhongwangfu became residence of the province’s governor though it was subsequently destroyed by Qing troops.

The complex has since been restored and is now part of the new Suzhou Museum designed by American architect IM Pei, himself of Suzhou ancestry. It is not unusual for museums to have a gallery with a stage devoted to local opera but Zhongwangfu’s opera stage is unique in its location inside a historical building. The hall is reputedly the largest such indoor facility in Jiangnan.

One evening, we attended a sampling of 600-year-old Kunqu opera at Zhongwangfu. This Ming dynasty art form is the highly refined precursor of Beijing and other Chinese operas, and was listed by Unesco as a World Intangible Cultural Heritage in 2001. Kunqu’s lilting melodies, graceful dances and exquisite costumes are mesmerising. A single opera can carry on for days.
Silk cocoons being stretched on bamboo frames to make quilts at Suzhou #1 Silk Mill.

It was dark as we entered Zhongwangfu’s imposing gate and wound our way through the narrow corridors. Unlike at the crowded Liuyuan (Lingering Garden) earlier, not a soul was in sight and mercifully, no raucous tour guides with microphones.

In the opera hall stood a simple raised stage with two red-curtained doorways and a small table for a prop. After a comedic scene from a piece called 15 Strings of Cash, the female protagonist of that most beloved of Kunqu classics, Peony Pavilion, emerged and together with the male lead, performed an extract from the episode where she dreams of her lover.

The scene unfolded onstage to the accompaniment of percussion and flute. Though I could not understand a single word of the arias, I was enchanted by the melancholic yearning in the youthful actors’ voices, the carefully choreographed tossing of their trailing “water” sleeves and their controlled hand movements. Their eerie wails seemed to emanate from deep within their souls.

As we left Zhongwangfu, a soft rain began to fall, heightening the sense of longing and nostalgia created by the precious performance in that vast mansion. It was at that moment that Suzhou seemed most charming.

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Saturday, April 5, 2008

Holiday Travel - MACAU Tiny colony big in history



MACAU, the tiny former Portuguese colony is big in tourist attractions. Within a short distance, you can see unique East meets West architectural heritage spanning more than 400 years. The region is the oldest, largest and best preserved historical centre of both Eastern and Western architecture in China today. Macau is located on the southeast coast of China to the western bank of the Pearl River Delta. Bordering on Guangdong Province, it is 60km from Hong Kong and 145km from the city of Guangzhou.

Taoist temples from the Ming Dynasty stand near Baroque churches from the 18th century. Then, there are hilltop fortresses from the 17th century, classic China Coast shophouses, the oldest European theatres in Asia and the first Western-style lighthouse as well as colonial palaces and Chinese courtyards.

Place of A Ma

The Historical Centre of Macau is an urban area centred around the old city with eight squares: Barra, Lilau, St Augustine, Senado, Cathedral, St Dominic, Company of Jesus and Camoes. There are also 22 historical buildings, including the A-Ma Temple, the Moorish Barracks and St Lawrence’s Church. The list includes not only China’s oldest surviving church and fortress but also residences of wealthy merchants of the Qing Dynasty.

Macau in the old days was known as Ou Mun, or “trading gate”, because of its location at the mouth of the Pearl River downstream from Guangzhou (Canton). During ancient times, the port city was part of the Silk Road with ships loading here with silk for Rome.

Guangzhou prospered from seaborne business and it welcomed merchants from all over, including Portuguese merchant explorers who reached Ou Mun in the 1550s. The locals then also referred to Ou Mun as A Ma Gao, which means “place of A Ma”, in honour of the Goddess of Seafarers, whose temple stood at the entrance to the sheltered inner harbour. The Portuguese adopted the name A Ma Gao, which was gradually changed to Macau with the permission of Guangdong’s mandarins.

Tourist Attractions


In December 1999, Macau became the Special Administrative Region of the People’s Republic of China. It has over the years developed industries making textiles, electronics and toys, as well as building up a world-class tourist industry with a wide choice of hotels, resorts, sports facilities, restaurants and casinos.

Other than appreciating its heritage, tourists to Macau can go on a culinary journey to sample unique Macanese dishes — a result of the combination of Chinese specialties with influences from other parts of the world — as well as Portuguese, Japanese, African and other cuisine. There are also trails for outdoor adventure and numerous entertainment and recreational attractions.

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Friday, March 14, 2008

Holiday Travel - Yungang’s treasure

Shanxi’s Yungang grottoes are renowned for some of the finest Buddhist carvings in China.

WHENEVER China’s coal-rich Shanxi province is in the news, it is usually for the wrong reasons.

Grim images of the darkened skies and soot-covered streets of Linfen, a coal-mining centre in the southern part of the province, have been featured repeatedly in various international media.
The city is notorious for being China’s most polluted and has become symbolic of the ills afflicting the country’s environment. Collapsing illegal mines and deaths of miners in pitiful working conditions are also reported with disturbing frequency. And to add insult to injury, Shanxi is sometimes confused with its more well-known western neighbour, Shaanxi, home of the Terracotta Warriors.

The Lutian Buddha is symbolic of Yungang.
With such a barrage of negative reports and the dismal images of poverty and environmental and human degradation, it is easy to overlook the fact that Shanxi is home to some of China’s most fabulous architecture and sculpture; and would you believe it, blue autumn skies and days so clear you can see as far as your eyes will take you.

What I wanted to visit most of all in Shanxi was Yungang which, together with Longmen in Luoyang and Mogao (Dunhuang) in Gansu along the Silk Road, forms a tripartite of China’s greatest Buddhist grottoes.

Yungang is just a few kilometres west of Datong, a 2,200-year-old Han dynasty city near Shanxi’s border with the province of Inner Mongolia, about 20km south of the Great Wall. Our “express” train took six hours to cover the 300km from Beijing to the industrial city, passing through an arid countryside hilly in places, with large stretches of brown cornfields, until finally we arrived at Datong’s grey, drafty and very cold train station.

At first sight, Yungang seems less impressive than Longmen which is situated on Luoyang’s Yi River and from which one gets spectacular views of its colossal Buddhist statues. A small portion of Yungang’s kilometre-long stretch of caves, which house over 50,000 carvings, is protected by graceful multi-storey Chinese-style structures built into the cliffs and roofed with grey or blue tiles. Beyond this section, however, is an absolutely stunning expanse of exposed grottoes and niches fronted with soaring stone columns some 8m or 10m high.

Yungang’s caves are ornately carved, and coloured in a style reminiscent of the intricately painted frescoes of Mogao. And fortunately, unlike at Longmen where the sculptures bear the scars of the Cultural Revolution, or have been looted by Western and Japanese treasure hunters, Yungang seems to have been spared the worst of the larceny and destruction.

The energy that went into the creation of the tightly-packed buddhas, boddhisatvas, disciples and flying apsaras in Yungang’s caverns is palpable, and the figures’ gestures as well as their twisting, rounded contours appear more Central Asian than Central Plains.

Yungang’s grottoes contain over 50,000 Buddhist sculptures ranging in height from a mere 2cm to 17m.
This is evidently a legacy of the grottoes’ history as work on them started some 1,550 years ago under the auspices of the nomadic Tuoba clan who made Datong their capital when they swept into north China. A few decades later, they moved to Luoyang where they began work on Longmen, adopted the Han culture of the Central Plains and disappeared altogether.

It was at Yungang that I met one of the most beautiful buddhas I have ever seen. Or perhaps it was he who beckoned. For as I strolled past the outdoor niches, I suddenly felt his gaze on me. His eyes were mesmerising, his lips curved in a gentle smile and his face took on a radiant glow in the rays of the autumn sun. Sitting serenely in his niche, he emanated benevolence, his right hand raised in a gesture of blessing and assurance.

Given Shanxi’s coal deposits, it comes as no surprise that coal mining is fundamental to Datong’s economy. But contrary to expectation, there was little sign of the massive pollution reported in places like Linfen further south.

Datong (population three million) is small by China’s standards and retains the ambience of a market town.

Near the Huayan Monastery in the heart of the city, bundles of leeks were propped against the wall to dry, while across the street from what used to be the palace of a Ming dynasty prince, a woman was sorting a pile of platter-sized loafs on a sidewalk. The thick round “loaves” turned out to be seed-filled sunflower pods and she was carefully inserting the loose seeds back into the pods for sale at, she said “Two yuan for the big ones and one yuan for the small.”

In the palace grounds, a row of round, football-sized white orbs oozing a viscous dark liquid full of berries and star anise sat on a low table under a tree. The owner said they were pickles and the white orbs were a kind of cabbage.

As for the Ming prince’s palace, all that is left of it is a magnificent 45m-long Nine Dragon Screen constructed 600 years ago, the oldest and largest of its kind in the world.

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Wednesday, February 6, 2008

Holiday Travel - Shanghai affair



AFTER seven wonderful years in Taipei, it was not easy to just pack up and leave, which I decided to do several months ago.I was eager to see for myself the reality behind the hype about China being the rising new economic superpower whose GDP (gross domestic product) has been surging past those of many traditional powerhouses.My motivation was partly the pull factor – the promise of new prosperity – but there was also a bit of the push since Taiwan’s importance has been overshadowed by China in recent years.

However, I was lured by the exciting prospect of a fresh start in Shanghai – the most westernised and cosmopolitan city in China.

There was a bit of nervousness from the prolonged cross-straits tension that has put the island in a volatile and vulnerable position. At the same time, my job as a journalist in Taipei did not seem to offer much prospect, with no salary increment in sight after two years.

The time was right, I convinced myself, to embark on a new adventure.

So, last October saw me packing up my stuff in Taipei and setting off for Shanghai.

During the first two weeks, I shifted accommodation three times. First, I stayed in a budget hotel, then bunked at a friend’s home and, finally, I found an apartment in the upscale Jinganshi district that was shared with a bunch of French expatriates.

It was only after I moved into the apartment that I realised how international Shanghai had become. The rapid development in recent years has attracted not only a massive influx of capital from abroad but also hordes of foreign talent.

According to Business Week, over 150 multinationals had set up offices in Shanghai in 2006 alone. The city reported 12% economic growth the same year, even higher than the blistering national average of 10.7%.

“I am worried about the future competitiveness of Taiwan,” lamented a Taiwanese friend after her trip to Shanghai.

Don’t get us wrong, we are still deeply in love with Taipei, and we have so many fond memories of the city. Taiwanese are open-minded, they have press freedom and passionate about politics; this is a huge contrast to mainlanders.

From my years staying in Singapore, Kuala Lumpur and Taipei, I felt most at ease among my Taiwanese friends.

But I chose to look for something new and, thus, began my flirtation with Shanghai.

Shortly after landing in Shanghai, I became acquainted with a bewildering variety of foreigners from as far away as France, Russia, Spain and even Malaysia, all seeking their fortunes in this city of opportunity.

Almost immediately, I sensed it was not going to be easy. Shanghai, being the wealthiest city in China, is a magnet for millions of immigrants from smaller mainland cities and rural villages, all trying to make it big.

The number of fresh graduates fighting for a job market is scary. A friend who hails from Guizhou tells me that fresh graduates are happy to secure a job offering 2000 yuan (RM900) a month.

With so many expatriates, myself included, trying our luck in China, it remains a big question mark if local companies would be willing to hire me, let alone pay according to my high expectations.

The last time I checked a recruitment website, there were over 200 people vying for the same vacancy!

Just when I was beginning to wonder if I was losing my edge in the job market, something unexpected happened.

I discovered that one of the fellow students at my ballroom dance classes in Shanghai is from my hometown, Malacca! And, the 30-something lady is in charge of operations at “Three on the Bund”.

Touted as one of the best places to see in the new China by Time magazine in 2005, Three on the Bund is a renovated 1916 building strategically located along the renowned Shanghai bund.

It houses four of the city’s top eateries, an art gallery and a spa that boasts of rivers flowing with Evian, as well as an Armani flagship store.

She extended a warm welcome and even offered me a job in her glamorous firm. Who could have expected to meet someone from the same hometown, and even get a job offer, while taking dance lessons in a strange land?

This, to me, is the charm of the new China – anything is possible, anything can happen. It never ceases to amaze me how much and how quickly it has evolved.

Still, I decided to say goodbye to Shanghai, despite the promise of great possibilities. My three-month sojourn there made me realise that, after all these years, I have become used to the warm and friendly Taiwanese and I missed them so much when away.

But, should wanderlust strike me again, I’m thinking ... Beijing.

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Saturday, February 2, 2008

Holiday Travel - Qingdao Olympic city




Western and local tradition are seamlessly juxtaposed in Qingdao, famous for its beer and host of the 2008 Beijing Olympic sailing events.

IF YOU stood at the top of Xiaoyushan (Little Fish Hill) in Qingdao and looked down over the city, you could be forgiven for thinking you were in Europe, or to be exact, Bavaria. Except of course, for the crescent-shaped bay with a golden sand beach more reminiscent of Hawaii’s Waikiki.

Whereas many places in Asia are eager to rid themselves of their colonial past, Qingdao has chosen to preserve its quaint European buildings as a tourist attraction. Constructed when the outpost was a German possession in the first two decades of the 20th century, they give the city a distinctly western feel.

Qingdao (population 7 million) is not only Shandong province’s premier port and home to respected companies like Haier and Hisense, but it has also been chosen to host the sailing events of the Beijing Olympics later this year. The metropolis’ history and economic success have created affluent and sophisticated urbanites who have evidently absorbed lots of outside influences. But sometimes, local and western traditions are intermingled in the weirdest of ways.

One brisk late autumn morning, my friends and I were waiting for our coach in the warmth of a hotel lobby when the sounds of a marching band wafted in from the outside. We rushed to investigate and there, in the hotel driveway, life-sized versions of cartoon characters Mickey, Minnie, the honey-loving bear, Winnie, and a pink piglet were dancing to a tune played by a small marching band smartly decked out in red jackets and white pants.

That in itself was plenty bizarre but soon a white, impossibly long stretch limo pulled into the driveway. Jaws dropped. I counted six windows on each side. Our cartoon friends joyfully approached the car, making deep bows as a young couple emerged – she in a demure white wedding gown and he in a dark suit – then held hands and danced in a circle around the bride and groom. At the entrance to the reception area the dignified couple posed for photos with the two mice, the bear and the piglet under a red balloon archway topped with the time-honoured wedding symbols of a dragon and phoenix.

It was the middle of the ninth lunar month (late October), a particularly auspicious time for weddings, and over at the old colonial enclave of Badaguan, flower-decked cars lined the roadsides. Badaguan, with its grassy parks, tree-lined avenues and a mishmash of different styles of European architecture is an obvious choice for wedding photos. On that very cold day, brides in thin white dresses preened and posed against the stone-walled houses while assistants handed out lucky candy to well-wishers.

A bride hurrying towards her family lifted her long skirt to avoid tripping. A flash of red appeared. Beneath that white satin skirt she was wearing bright red tights and equally red shoes. Red, the traditional wedding colour, is auspicious while fashionable white is the customary colour of mourning, so the red stockings and shoes were insurance against bad luck.

The brief German occupation in Qingdao produced a world-famous beer whose name is synonymous with the city. Located at the site of the original factory, the newly-opened Tsingtao Beer Museum leads visitors through the production process, a history section, an exhibition hall, and finally, an eagerly-awaited tasting room set up like a pub, except with free beer.

The Museum has spared no effort in creating an educational experience but it certainly is not without a sense of humour. For just before the entrance to the Beer Hall we encountered a windowless box-like pinewood structure named, tongue-in-cheek, “Tipsy Room”.

Once inside, I found myself lurching all over its angled floor, desperately clinging to the railing on the side as I crawled towards the exit. That simulated state of inebriation was meant to remind those entering the next section – the Beer Hall – to be moderate. But judging by a group of shrill, excited ethnic Dai girls who broke into their melodious drinking songs with each toast, it is anybody’s guess whether the Tipsy Room made a difference.

It seems the crisp, clean taste of Tsingtao Beer comes from the pure waters of Laoshan, a hilly resort area less than an hour’s drive from the city centre. Laoshan also happens to be one of the oldest and holiest Daoist sanctuaries in China. Some believe Daoism’s founder Laozi came from there.

The road to Laoshan offers breathtaking views of the Yellow Sea. In contrast with modern urban Qingdao, innumerable ancient temples dot the mountain’s wooded slopes, maintained by Daoist priests in flowing blue robes.

An ascetic-looking “immortal” with black beard and topknot sat outside the door of a small vermilion building. Dressed in grey Chinese jacket, cotton pants and cloth shoes, he looked as if he could have stepped right out of the Ming dynasty. Then he whipped out his mobile phone, and at that surreal moment 21st century technology converged with 26 centuries of Chinese tradition.


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